CAPA College Twitter

Week one: Complete! ✔️ It has been incredible to see the CAPA College students back in the studios doing what they do best! https://t.co/hQlPQsQm0V3 days ago 5
RT @DominicBooth_: I am continuously in awe of this incredible school and I am forever proud to have “CAPA College” on my CV. The old studi…6 days ago 1
RT @GeorgiaGomx: Thank you for an amazing first day! Can’t wait to work hard for the next two years! 🤩 https://t.co/ehzWhqEx1e6 days ago 1
Alongside welcoming our second year students back through the doors of CAPA College, today was the first day of classes for our first year students! Here is a sneak peek of what they have been up to in the studios... we can't wait for another jam packed year! 🌟 https://t.co/V0IXXzQl4o7 days ago 5
Today we opened our doors to the new cohort of CAPA College students. After a quick temperature check, we can finally welcome our Class of 2022! You have an incredible two years ahead filled with outstanding training, learning and opportunities. 🌟 #CAPACollegeFam https://t.co/X7amTvh55O1 week ago 5
CAPA College staff have spent the past three days in training ahead of starting the new academic year. We are ready and excited to reopen our doors to the CAPA College students and have another incredible year!🌟 https://t.co/Sz1uVhwNDA2 weeks ago 9
*DEADLINE TO SIGN UP: SEPTEMBER 21ST* CHARGE Boys is running a taster session on the 26th September for any boy aged 12-16. Sign up before 21ST SEPTEMBER 2020 to not miss out on this free opportunity! Sign up here: https://t.co/Hvo3PLyLJj https://t.co/q83grjbSFM2 weeks ago 7
RT @ICA_Perform: Great opportunity @CAPACOLLEGE. https://t.co/aSXaJU3d3X2 weeks ago 5
Nervous about starting CAPA College? There is no need to be... we are so excited to welcome our new cohort of students! Here are some tips from our 2020 graduates on how to succeed at CAPA College! https://t.co/HQc7mzSUHF2 weeks ago 7
RT @AlexBowen92: Well deserved short list for Claire Nicholson @CAPACOLLEGE @onedanceuk! She’s the reason I started dancing and I have ever…3 weeks ago 3

If Not Now, When? development continues as the Momentum Theatre cast begin their first read through

In last week’s rehearsal we were meant to focus on finishing our first read through…we read 10 pages. One line, “you know what mum would say”, sparked the question, “what does she say?” or rather, “what do our mums say?”.  With that, we all listed the little things that we hear/heard in our own homes from those who we are dependent; whether that be mum, dad, sibling, aunt, uncle etc. There was much laughter at the oddities of each family’s little quirks and moments of “my mum says thatand we found commonalities with the echoes of mums shouting “if I get to three” or “it’s like Blackpool illuminations in here”.  We’d love to hear the phrases that remind you of home so do share some in the comments! 

With the production being developed by the cast playing the roles in collaboration with their peers, we were able to select those phrases that are common amongst us all, things we all own and save these as sources for improvisations when we return to the studio. As a director I am very much inspired by Ariane Mnouchkine and Théâtre du Soleil in terms of the importance of improvisation and the “ownership” of a role, “… actors had to give up in the first phase any notion of owning a role or even an improvised moment- a moment that would often be slipped into another actors repertory” (Judith Miller).  When asked by Andrew Dixon for The Guardian why Mnouchkine thought improvisation was so important, she responded with the following:  

“It is a strange question, because would you ask an author why ink is important? It’s a way of writing. In our company, actors are really the authors.” Even when they’re dealing with a pre-existing text? “Theatre is not only what you say, it’s what you do. It’s the reaction that has to be caught, it’s the mood, the emotion, the state of mind. 

As the writer, Isabel is there ready to catch these moments too and we are almost all co-authors of the memories we are building for Liam and Chelsey, fleshing out the relationship they had with their Mum.  Even if we don’t hear these things as an audience they serve as a little bit of that needed subtext that can drive the performance between them all on stage…an unspoken play transparent in their physicality.   

So, we may have only read 10 pages but we have created many possible structures for future “in the flesh” improvisations and the collaboration between creatives gets stronger.  Here’s a couple of moments from the read through for you to enjoy.  The first is Dominic playing Liam and the second, Kayleigh who plays Chelsey (please note the second recording is not appropriate for young ears!) 

Listen here: